The Dancing Bug

Actually Following

Posted on: July 31, 2012

There’s this thing beginner leads in my scene do that absolutely drives me crazy.

Maybe they do this everywhere, or maybe it’s just a Portland thing, I don’t know. But what they do is, after sending you out into a swingout, instead of letting you continue the momentum they’ve set up, for some reason out of nowhere they suddenly yank you forward on that last triple.

It always ends up as a yank. Because everyone knows that last triple is where you settle back. It’s the “out” part of the swingout, and it’s the only place the follow can really do styling or whatever. As a million instructors have told us, that last triple is where the follow gets to shine. And then out of nowhere, this professional arm-wrestler is yanking you forward. Ouch!

I was discussing this with a friend of mine not too long ago, and she said she thinks it’s because they’re trying to “body lead.” They’ve been told they’re not supposed to jerk you around with their arms, but instead somehow use their bodies to move you. But they still carry their body weight too high, so what it translates to is that they lean back with their shoulders in an effort to get you to move without using their arms. Of course, they always do give a little extra value at the end of the maneuver by bending their arms anyway.

As I used to tell my kids when they were little, that may be an explanation, but it’s no excuse.

However…

I remember this one time when I was taking a workshop from Naomi Uyama. I was complaining to her about leads who yank on your arm, and asking her what to do about it. She invited me to show her what I meant. So I led her in some swingouts, and tried to imitate the kind of arm yanking that I so often feel on the dance floor.

And you know what? I couldn’t yank that girl no matter how hard I tried. Every time I jerked and tugged on her arm, she just  floated. I was getting worn out, but her lovely smile never left her face for a minute; you’d a thought I was Fred Astaire or something.

It actually made me kind of mad. “How do you DO that?” I spluttered.

“Well,” she said patiently, “you just follow.”

So I was thinking about this whole thing with leads who yank you forward on seven-and-eight. And I realized what I should have seen long ago: the problem really isn’t them. It’s me.

The only reason I get my arm yanked in these situations is because I believe, mentally, that I’m supposed to “triple away” on those last two counts. It’s my right and privilege as a follow. After all, that’s where I get to do my styling.

And you know what? That ain’t following.

I know for a fact that if Naomi, or any other brilliant follower, was getting led forward on that last seven-and-eight, she would simply triple forward. She wouldn’t get into a wrestling match with the guy by insisting on tripling away. If I get my arm yanked, it’s because I was tripling away without being led there.

It’s called “actually following.”

I’m gonna have to try that sometime!

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6 Responses to "Actually Following"

Many leads and follows have this issue of having too much tension in their anchor. And often it is not really because they “triple away”, but because they take up all their connection slack too soon.

If on the 5-6 the follow really books out away, because they have been told to keep their momentum at all costs, by the time the dancers need to anchor, they are already stretched out and then there is no way to anchor into a slight stretch. You either will get pulled in on the anchor, or will have to collapse your shoulder or go into uncontrolled frame to “keep the stretch”.
And inexperienced leads cannot handle this any better because they do not set an end distance for the follow early enough. While an experienced lead can compensate for this common tendency.

Follows are not really shopping carts with frictionless wheels, as is often taught, but they dissipate energy and slow down naturally.

I might suggest that when you are sent out in a swing-out (6-5 approximately), that you may want to bleed your momentum a bit so that by the time you anchor your are a bit closer to the lead than you would normally be. This allows you to have a bit of a “triple away” on your anchor to build up a nice stretch that can be released when the lead wants.
By being closer I mean a nice neutral position where the connection arms hang nicely rather than being clothesline taut.
Yes, it does mean you will have to lose some momentum, but most bodies in a friction environment do that anyhow! =)

This also has the benefit of giving you more time and room to do the stylization you are wanting to do! For instance, if you are too far away from the lead and then start anchoring away, and building tension, you are using the lead to support you during the stylization. This is taxing to the lead and yourself, and it messes with the connection. It also limits you to a stylization that requires that you use the lead for balance and energy. But by controlling your own momentum, you give yourself the space to stylize using your own body control, and the neutral arm position does not create false stretch (or compression) that may confuse leads.

Try it for a few songs with those people who you experience the “yank” and see how that works. And with the advanced leads you will have a whole new world of stylization open up to you!

Awesome! There is a ton of great information here – lots of stuff to think about and try. Thank you!

Yeah, yeah, I know it’s down to us following, but I know *just* what you mean. For me I think it comes from dancing with too low tone/tension – I really struggle to match a lot of my leads.

One of my teachers recently told me to focus on going to the ‘end’ of a movement, it’s natural conclusion, and I realised that I’d stopped doing it to try and avoid the yanking.

Argh!

=)

It’s not the end of a movement… but how you get there!

I still get annoyed when leads do stuff like that. It is also their responsibility to listen. It seems like many leads don’t know this, or aren’t very good at it. I’m tired of hearing “Follow follow follow follow follow.” If I want to dance a different style, can leads puh-lease learn to listen so that we can find our happy medium? Yeesh. The best leads do it naturally and may not realize that others need to be taught from day 1.

Yay, I wrote a rant.

I totally hear you, and you’re right, it’s extremely annoying. Besides, these guys have no business being so rough in the first place – what’s with all the urgency?

Yay ranting!! :)

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